Category: Year 3

Year 3, Unit 3: Pitch – Lesson 5

Key Learning Objectives:  To further develop aural skills and understanding of how a melody moves. To work in small groups to ‘notate’ patterns of notes, using objects to mirror both rise and fall in pitch.   Starter activity: Select an activity from the Pitch Starter Bank. Main activity: Representing note patterns: Listen to ‘Bristol Pitches’ and pitch pattern the […]

Year 3, Unit 3: Pitch – Lesson 3

Key Learning Objectives:  To demonstrate an increased understanding of pitch through kinaesthetic learning. To perform a piece with several contrasting parts within a large ensemble.   Starter activity: Singing exercise using ‘Bristol Pitches’, the pupils to listen again and sing the note names, whilst raising a hand to mirror the rising pitch. Main activity: Performance activity, split […]

Year 3, Unit 3: Pitch – Lesson 1

Key Learning Objectives:  To develop an understanding of pitch through kinaesthetic learning. To listen to and trace the pitch of a melody. To learn that the leaps in-between notes are called intervals.   Starter activity: Engage with the ‘aeroplane trail’ activity, found in the Pitch Starter Bank. Main activity: Listening and response exercise based on the track ‘Land […]

Year 3, Unit 2: Junk Percussion – Lesson 6

Key Learning Objectives:  To explore timbre, texture and rhythm using everyday items as instruments. To listen to and repeat a variety of rhythms using instruments. To play in an ensemble and develop ensemble and listening skills. To explore experimental music by composing rhythms.   Starter activity: Select an activity from the Rhythm Starter Bank. Main […]

Year 3, Unit 2: Junk Percussion – Lesson 5

Key Learning Objectives:  To explore timbre using everyday items as instruments. To listen to and repeat a variety of rhythms using instruments.   Starter activity: Select an activity from the Rhythm Starter Bank. Main activity: Watch the provided videos from ‘Stomp’ the musical and discuss unusual aspects of the performance, focusing on choice of instrumentation and […]